Marienbad el\u00e9ctrico - Revista ISTMO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dim-id.com\/pruebaentradas2023\/2016\/11\/11\/marienbad-electrico\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marienbad el\u00e9ctrico\" \/>\n<meta property=\"og:description\" content=\"Leer despu\u00e9s 0Enrique Vila-Matas Editorial Almad\u00eda. M\u00e9xico, 2015 128 p\u00e1gs. \u00bfDebe la literatura decirse literatura? Montesquieu hizo pasar sus Cartas persas por reales en un mundo donde las palabras a\u00fan se conceb\u00edan y se le\u00edan peligrosas. El libro fue censurado. Como a Borges, a Enrique Vila-Matas se le reconoce antes en sus lecturas, en su cine, en sus preferencias art\u00edsticas que en cualquier dato pretendidamente autobiogr\u00e1fico. Oculta sus novelas bajo la forma de diarios, de papeles perdidos para conferencias, de nota al pie de p\u00e1gina que ocupa un libro entero. Marienbad el\u00e9ctrico es un compendio de reflexiones (una novela) sobre el arte y la literatura surgidas a ra\u00edz de ciertas conversaciones con Dominique Gonzalez-Foerster, una artista lim\u00edtrofe de instalaciones que se asumen centinelas entre la realidad y la ficci\u00f3n, alguien que tiene muy claro que para que el arte triunfe, se empieza por hacer dudar de la realidad al espectador. No existe peor mal para la literatura que exigirle la fidelidad de unos hechos. Pocos escritores hay tan respetuosos con el lector realista como Enrique Vila-Matas. Quiz\u00e1s el realismo m\u00e1s acertado sea el que no avisa al lector de que lo que est\u00e1 leyendo nunca ha ocurrido o ha ocurrido de otra manera. \u00bfAcaso importa? 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