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Anagrama. Barcelona 2014<\/div>\n

176 p\u00e1gs.<\/div>\n

Ensayista, novelista y director de la m\u00edtica editorial italiana Adelphi, fundada en 1962, Calasso reflexiona sobre el papel del editor en un mundo editorial sometido a cambios estructurales dr\u00e1sticos.
\n\u00abTodo verdadero editor compone, sin saberlo o a conciencia, un \u00fanico libro formado por todos los libros que publica\u00bb. Formar un cat\u00e1logo que perdure por encima de modas, fen\u00f3menos comerciales o a la tiran\u00eda de la actualidad, ha sido siempre su principal objetivo.
\nUna idea recorre los textos del volumen, y es que la misi\u00f3n del editor es publicar libros de los que est\u00e9 orgulloso, sabiendo que editar es un trabajo intelectual y artesanal cuyo presupuesto es \u00abla capacidad de dar forma a una pluralidad de libros como si fueran los cap\u00edtulos de un \u00fanico libro\u00bb. El editor crea la marca, el sello distintivo en donde ning\u00fan proceso ni lo que tiene que ver con la forma del libro (portada, dise\u00f1o, compaginaci\u00f3n, caracteres, papel, solapa\u2026) es irrelevante.
\nPero corren malos tiempos para los editores. Con el auge del libro electr\u00f3nico, el editor es \u00abun mero obst\u00e1culo, un pasaje intermedio del que nadie tiene ya necesidad\u00bb ahora lo sustituye un gerente.
\nAdolfo Torrecilla
\n\u00a0
\n\u00a0
\n\u00a0<\/p>\n<\/body>