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Simetr\u00eda<\/span><\/div>\n
Marcus du Sautoy<\/span><\/div>\n
Acantilado. Barcelona, 2009<\/span><\/div>\n
501 P\u00e1gs.<\/span><\/div>\n
\u00a0
\n
\nEl lenguaje de las matem\u00e1ticas es perfecto. Sin verbos irregulares ni excepciones a las reglas, intenta dar explicaci\u00f3n a las im\u00e1genes del mundo. De aqu\u00ed parte el desarrollo de las teor\u00edas que buscan describir el entorno. Los matem\u00e1ticos generan demostraciones elegantes que se\u00f1alan el resultado correcto como el m\u00e1s est\u00e9tico o sim\u00e9trico.
\nEllas comunican, pero muchos consideran que excluyen a los menos preparados. Para Goethe los matem\u00e1ticos son como los franceses: cuando se comunican traducen lo dicho a su propia lengua y lo transforman en algo distinto.
\nEn toda disciplina hay que observar y procesar informaci\u00f3n, transmitirla oralmente y difundirla a los dem\u00e1s. En esta \u00faltima etapa se pierden muchos conocimientos.
\nDu Sautoy realiza un recorrido por los patrones de la naturaleza y su papel en la construcci\u00f3n de un lenguaje efectivo. Su viaje sim\u00e9trico abarca, desde los cinco s\u00f3lidos plat\u00f3nicos, hasta la estructura de las Variaciones Goldberg <\/em>de Johann Sebastian Bach; la soluci\u00f3n de los Teoremas de Fermat, la serie de Fibonacci, el museo del Louvre y la Alhambra. La simetr\u00eda no se presenta en la naturaleza por casualidad. De hecho, es por ella que se explica y se construye.<\/p>\n<\/body>