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Fernando Pessoa.\u00a0Drama en gente.<\/div>\n

Antolog\u00eda Po\u00e9tica<\/div>\n

Edici\u00f3n biling\u00fce<\/div>\n

de Francisco Cervantes<\/div>\n

FCE. M\u00e9xico. 2000, 376 p\u00e1gs.<\/div>\n

<\/div>\n<\/div>\n

Drama no es s\u00f3lo\u00a0tragedia. La Real\u00a0Academia de la\u00a0Lengua lo define\u00a0como un\u00a0suceso de la\u00a0vida real capaz\u00a0de interesar y\u00a0conmover vivamente.\u00a0Pessoa\u00a0reconoc\u00eda en su\u00a0obra un drama, una\u00a0vivencia que interesaba\u00a0y conmovia con fuerza.\u00a0Y no s\u00f3lo eso, su drama era un\u00a0drama em gente<\/em>, una complicidad\u00a0pactada entre el lector y el escritor,\u00a0sostenida para siempre en la temporal\u00a0vigencia del papel.\u00a0Del universo de Pessoa, Francisco\u00a0Cervantes (Queretaro, 1938)\u00a0entrega 45 poemas a la curiosidad\u00a0de aquellos intrigados por\u00a0el desdoblamiento ps\u00edquico del\u00a0portugu\u00e9s.\u00a0Reunidos en este drama compartido\u00a0y, para fortuna nuestra,\u00a0biling\u00fce, estan \u00c1lvaro de Campos,\u00a0Alberto Caeiro, Ricardo Reis\u00a0y Pessoa, poetas nacidos en la\u00a0batalla esquizofr\u00e9nica sostenida\u00a0en medio de un \u00abangustioso juego\u00a0de un espejo frente a otro\u00bb en el\u00a0que cae la voz del Isboeta.\u00a0En ese centro, las pessoas (personas)\u00a0de Pessoa juegan definidos\u00a0papeles, claros y distintos. Un\u00a0Caeiro provinciano, descriptor de\u00a0imagenes campestres, dibuja\u00a0flores y pompas jabonosas \u00c1lvaro\u00a0de Campos juega libre e informal,\u00a0saludando a Whitman o al volante\u00a0de un Chevrolet Reis se muestra\u00a0estricto, sea tejiendo breves\u00a0sextetos, sea prosando el amor\u00a0Fernando Pessoa, uno o\u00a0muchos, no debe dejarse ir.<\/div>\n<\/body>