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<\/p>Jos\u00e9 Emilio Pacheco 50 a\u00f1os de literatura interminable<\/strong>
\n $\"\"$ <\/strong>Tarde o temprano
\n(Poemas 1958-2000)
\nJos\u00e9 Emilio Pachecho
\nFCE. M\u00e9xico, 2004.
\n655 p\u00e1gs.
\n\u00abSi dejara mis textos tal como aparecieron ser\u00eda privilegiar al autor y no al texto. Y lo que importa es lo escrito. De modo que si vuelve a aparecer, tengo que entregarle a quien vaya a leerlo el mejor trabajo posible\u00bb.\n

JEP<\/div>\n
Con la publicaci\u00f3n, en 1959, de La sangre de Medusa y otros cuentos marginales inici\u00f3 la interminable carrera literaria de Jos\u00e9 Emilio Pacheco. Maestro en cada uno de los g\u00e9neros que cultiv\u00f3: cuento, ensayo, novela y poes\u00eda. Ha recibido varios de los premios m\u00e1s importantes para los escritores en lengua castellana: Octavio Paz (2003), Pablo Neruda (2004),\u00a0 Alfonso Reyes (2003) y Garc\u00eda Lorca (2005) entre otros.
\nHonestidad ante la vida, sentido de justicia y un uso di\u00e1fano del lenguaje que propicia la buena comunicaci\u00f3n, caracterizan la postura existencial que comparten las obras de Jos\u00e9 Emilio Pacheco; lo que transmite es la sensaci\u00f3n de que su voz implica la de muchos: conciencia colectiva.
\nPacheco comparti\u00f3 una generaci\u00f3n brillante para las letras mexicanas, la de los a\u00f1os cincuenta con los escritores: Carlos Monsiv\u00e1is, Eduardo Lizalde, Sergio Pitol, Juan Vicente Melo, Vicente Le\u00f1ero, Juan Garc\u00eda Ponce y Salvador Elizondo.
\nSu entendimiento de la manera en que Jorge Luis Borges revolucion\u00f3 el quehacer literario al mostrar la literatura como un continuo org\u00e1nico en interminable reelaboraci\u00f3n y reinvenci\u00f3n, es decir en reescritura, define la obra de Jos\u00e9 Emilio Pacheco. Su poes\u00eda est\u00e1 reunida bajo el t\u00edtulo Tarde o temprano y sus relatos m\u00e1s reconocidos en los libros, El viento distante y otros relatos (1963), Morir\u00e1s lejos (1967), El principio del placer (1972) y Batallas en el desierto (1981).
\nUn tono de pesimismo recorre su obra y, sin embargo, siempre parece que presentar la oscuridad de las experiencias humanas contuviera la peque\u00f1a esperanza de que un d\u00eda no se cometan los mismos errores.<\/p>\n<\/body>