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EN EL CAF\u00c9 DE LA JUVENTUD PERDIDA<\/span>
\nPatrick Modiano<\/span>
\nNovela<\/span>
\nAnagrama. Barcelona, 2008. 131 p\u00e1gs.<\/span><\/div>\n

La historia de la literatura es, en buena medida, la historia de la reescritura. En el Renacimiento, el t\u00f3pico imitatio ?algo considerado hoy como grosso plagio?, no s\u00f3lo no era fustigado sino incentivado y hasta exigido para ser reconocido como verdadero humanista. No asombra a nadie que, con el tiempo, muten los c\u00f3digos.
\nLos homenajes siguen existiendo, pero si antes la glosa era literal, ahora es a base de gui\u00f1os. As\u00ed, la \u00faltima novela de Patrick Modiano (Boulogne-Billancourt, 1945), comulga con la novel\u00edstica de las ciudades o, mejor, en las ciudades, y espec\u00edficamente con Rayuela y su \u00abLado de all\u00e1\u00bb.
\nComo Cort\u00e1zar, Modiano trama una historia en el bohemio Par\u00eds de los sesenta dando todas las directrices del ir y venir de sus personajes, a tal grado que ser\u00eda posible ubicar en el mapa sus andanzas. Claro est\u00e1 que dicho homenaje no es consciente. Pero Modiano entiende que, en realidad, no hay otra forma de escribir Par\u00eds. Louki y Roland son Oliveira y la Maga, que son, a su vez, cualquier pareja del arte y la vida. A fin de cuentas, m\u00e1s all\u00e1 de tecnicismos narratol\u00f3gicos, la verdadera literatura siempre es portaestandarte de la m\u00e1s alta espiritualidad.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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