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VERSOS DE VIDA Y MUERTE<\/span>
\nAmos Oz<\/span>
\nNovela<\/span>
\nSiruela. Madrid, 2008. 128 p\u00e1gs.<\/span><\/div>\n

\u00abHay respuestas astutas y hay respuestas evasivas. Respuestas sencillas y directas, no.\u00bb Y esta es una evasiva m\u00e1s. O una astucia m\u00e1s. De Amos Oz, en cualquier caso.
\nVersos\u2026 posee una deliciosa ambig\u00fcedad: un escritor se enfrenta a sus propios fantasmas y de vez en cuando los evade, de vez en cuando los esquiva. Hace falta ser dos lectores a la vez: uno que siga los pasos de este cansado escritor que, como todos hacemos, inventa historias mientras le sirven el caf\u00e9; otro lector que comprenda la novela como una argucia sobre el amor, que m\u00e1s o menos conocemos todos tambi\u00e9n.
\nEn cualquier caso, no hay un argumento sencillo y directo. Las cosas de las que habla Amos Oz son, como nos ha ense\u00f1ado especialmente en Una historia de amor y oscuridad, asuntos que se nos van de las manos, tratan del modo en que padecemos la vida. Ahora, \u00bfcu\u00e1l es la genialidad? Que el estilo es el apropiado para dar cuenta de ello. Ideas sencillas y directas no nos ayudan mucho.
\nEn esta novela la pluma de Amos es un poco m\u00e1s fina y puntiaguda, la novela punza constantemente, es un espejo que astuta o evasivamente inquieta.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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