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EJERCICIOS MARGINALES<\/span>
\nLuis Xavier L\u00f3pez Farjeat<\/span>
\nEnsayo<\/span>
\nLos libros de Homero. <\/span><\/div>\n

M\u00e9xico, 2007. <\/span><\/div>\n

139 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Los libros de Homero no dejan de sorprender con su cat\u00e1logo. Ahora publican un verdadero compendio de ideas sobre arte, filosof\u00eda, letras, m\u00fasica y Dios.
\nEn la primera parte del libro L\u00f3pez Farjeat se enfrenta a la pregunta sobre la esencia del arte y su transfiguraci\u00f3n a partir de la cultura pop. El duelo radica en la concepci\u00f3n que el Romanticismo pose\u00eda del arte.
\nBajo el mismo tenor, profundizando en la fuerza de la literatura, el autor nos arroja desde las palabras hacia Dios y muestra la raz\u00f3n de ser de Cristo. Retoma ciertos poemas de C\u00e9sar Vallejo donde el acercamiento que este hace de la divinidad en sus textos son una clara \u00abproyecci\u00f3n de una profunda vivencia religiosa\u00bb.
\nTermina sus ejercicios enfrent\u00e1ndose a un tema pol\u00e9mico: Fe y raz\u00f3n. En un aut\u00e9ntico af\u00e1n por desentra\u00f1ar las palabras que Juan Pablo II redact\u00f3 en la Enc\u00edclica del mismo nombre, encara a Derrid\u00e1 y el escepticismo posmoderno.
\nConfieso que las partituras de Sch\u00f6nberg en el Preludio y Ep\u00edlogo, as\u00ed como los cuadros al finalizar los ap\u00e9ndices me cautivaron. \u00abLa m\u00fasica es una teolog\u00eda. Es la imagen sin imagen, la presentaci\u00f3n al desnudo del Absoluto\u00bb.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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