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ESCRITOS SOBRE ARTE (1934-1969)<\/span>
\nMark Rothko<\/span>
\nEnsayo<\/span>
\nPaid\u00f3s, <\/span><\/div>\n

Barcelona, 2007. <\/span><\/div>\n

240 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Cuando surgieron la cr\u00edtica de arte y las galer\u00edas, el concepto de curador a\u00fan no hab\u00eda sido gestado siquiera. Al momento en que las vanguardias empiezan a ver la luz y la modernidad daba sus \u00faltimos suspiros con El nacimiento de la tragedia de uno de los autores m\u00e1s controversiales de la historia (Nietzsche), el pintor jud\u00edo Marcus Rothkowitz no s\u00f3lo revolucion\u00f3 su disciplina art\u00edstica, sino que defendi\u00f3 sus trabajos de los ojos que la etiquetaran con equivocidad.
\nMediante esta recopilaci\u00f3n de cartas, apuntes, conferencias, art\u00edculos y entrevistas se conoce de cerca el esp\u00edritu detr\u00e1s de los devorantes lienzos en los que el estadounidense nacido en Rusia pint\u00f3 rect\u00e1ngulos crom\u00e1ticos. Adem\u00e1s, los textos descubren de un modo accesible el proceso que lo llev\u00f3 de lo figurativo a lo abstracto.
\nSorprende en particular su definici\u00f3n de arte, pues a pesar de no querer ser un te\u00f3rico, tiene muy clara la diferencia entre lo pict\u00f3rico y una catarsis. Sin pretender dar c\u00e1tedra, quien disfrut\u00f3 del mecenazgo de Peggy Guggenheim, explica la perspectiva que nos regala cualquier aut\u00e9ntico artista con su obra, as\u00ed como la de \u00e9l mismo, que no por nada atesora incalculables l\u00e1grimas de sus receptores alrededor del mundo.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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