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VIAJES POR SCRIPTORIUM<\/span>
\nPaul Auster<\/span>
\nNovela<\/span>
\nAnagrama. Barcelona, 2007. 185 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Has comprado un boleto para viajar hacia el orificio de una habitaci\u00f3n casi vac\u00eda, tu acceso es completamente panor\u00e1mico. No se trata s\u00f3lo de mirar, empiezas a internarte en los pensamientos y sensaciones de un viejo decr\u00e9pito que se levanta de la cama sin saber d\u00f3nde est\u00e1, sin un solo recuerdo; no sientes lo que \u00e9l, pero lo sabes, tambi\u00e9n sabes que alguien m\u00e1s observa, el cuarto est\u00e1 repleto de micr\u00f3fonos y c\u00e1maras que capturar\u00e1n cada respiro y cada lamento. \u00c9l mira la alcoba tan azorado como t\u00fa, la descubren al mismo tiempo. En el mismo instante leen los letreros que est\u00e1n en las cosas. \u00c9l siente culpa, t\u00fa sabes que se siente culpable, los dos quieren saber por qu\u00e9 y ambos, como si esperaran a Godot, aguardan \u00abalgo\u00bb en medio de una amnesia muy dolorosa. \u00bfUna consecuencia??
\nPaul Auster es, quiz\u00e1 y con raz\u00f3n, el autor norteamericano m\u00e1s emblem\u00e1tico de nuestros d\u00edas. En su \u00faltima novela nos entrega una partida de ajedrez, todos jugamos ?o creemos jugar?, pero surge una pregunta que ilumina y oscurece todo el entorno: \u00bfQu\u00e9 pasa con un autor de cuyo universo se han adue\u00f1ado sus propias criaturas? M\u00e1s a\u00fan: \u00bfQu\u00e9 sucede con las consecuencias mismas de la ficci\u00f3n?
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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