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HETERODOXOS MEXICANOS<\/span>
\nRub\u00e9n Gallo e Ignacio Padilla<\/span>
\nEnsayo<\/span>
\nFCE. M\u00e9xico, 2006 166 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

El di\u00e1logo es uno de los recursos m\u00e1s antiguos utilizados en literatura. Plat\u00f3n se adue\u00f1\u00f3 de este estilo para desarrollar su filosof\u00eda. Es probable que el lenguaje haya surgido as\u00ed, como un intercambio de ideas entre dos o m\u00e1s seres humanos.
\nHace un par de a\u00f1os, Jorge Volpi se\u00f1al\u00f3 la ausencia de una colecci\u00f3n literaria que fuera a dos voces, donde el lector pudiera seguir una conversaci\u00f3n en torno a la pol\u00edtica, el arte, la literatura o la historia. El resultado de tal inquietud puede leerse en Heterodoxos mexicanos.
\nEn un exquisito intercambio de palabras, Rub\u00e9n Gallo e Ignacio Padilla se adentran en los escritos de autores como Mart\u00edn Luis Guzm\u00e1n, Jos\u00e9 Vasconcelos, Revueltas y Paz, entre otros, cuyo com\u00fan denominador es su rareza. Sin embargo, su heterodoxia lo es s\u00f3lo por costumbre. Es decir, por la literatura que normalmente encontramos en ellos.
\nLa antolog\u00eda es sumamente pedag\u00f3gica. Al tiempo que uno lee los textos aprende un poquito m\u00e1s de cada autor, gracias a la conversaci\u00f3n entre Nacho y Rub\u00e9n.
\nFue como sentarme en una cafeter\u00eda y estar presente en este vaiv\u00e9n de ideas mientras analiz\u00e1bamos ?yo tambi\u00e9n? cada una de las heterodoxias presentadas de estos cl\u00e1sicos mexicanos.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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