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XAVIER VILLAURRUTIA: LA COMEDIA DE LA ADMIRACI\u00d3N<\/span>
\nV\u00edctor Manuel Mendiola<\/span>
\nEnsayo<\/span>
\nFCE. M\u00e9xico, 2006. 132 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Xavier Villaurrutia es un cl\u00e1sico. Este hecho, casi un\u00e1nimemente aceptado, motiva la aventura de V\u00edctor Manuel Mendiola a trav\u00e9s de los versos del poeta mexicano. En Xavier Villaurrutia: la comedia de la admiraci\u00f3n Mendiola juega con esta idea. Se vale de los comentadores de Villaurrutia: Cuesta, Owen, Paz, Chumacero, Tom\u00e1s Segovia, Juan Garc\u00eda Ponce, Jos\u00e9 Joaqu\u00edn Blanco y Manuel Ulacia para exhibir la dial\u00e9ctica de su poes\u00eda. La desasosegada meditaci\u00f3n sobre el sentido de la existencia humana, la conciliaci\u00f3n de lo irreconciliable, el equilibrio entre inteligencia y sentimiento; la convivencia entre tradici\u00f3n y modernidad, son lugares comunes en la obra l\u00edrica de Villaurrutia. La incomprensi\u00f3n de esta armon\u00eda de contrarios ha conducido no tanto a una interpretaci\u00f3n incompleta, cuanto a una imagen interesante pero que no se corresponde con el autor de Reflejos. Mendiola abandona el resto de las opiniones para desnudar la verdadera esencia de la obra de Xavier Villaurrutia.
\nLa comedia de la admiraci\u00f3n constituye una apolog\u00eda de Villaurrutia y los contempor\u00e1neos. Un intento por librarlos de la admiraci\u00f3n marm\u00f3rea y estatuaria. Un esfuerzo por justificar que la poes\u00eda villaurritiana es cl\u00e1sica por viva y no por descansar en un nicho como letra muerta.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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