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El duelo de los \u00e1ngeles<\/span>
\nRoger Bartra<\/span>
\nEnsayo<\/span>
\nFCE \/ Pre-Textos. Bogot\u00e1, 2005. 167 p\u00e1gs.<\/span>\n

\nRoger Bartra es un intelectual de izquierda an\u00f3malo. Adem\u00e1s de sus heterodoxas posturas pol\u00edticas, ha desarrollado una fruct\u00edfera carrera acad\u00e9mica por caminos poco convencionales comparados con los de sus colegas antrop\u00f3logos; sus \u00faltimas obras abrevan en el humanismo y sus viajes etnogr\u00e1ficos van en direcci\u00f3n contraria a la est\u00e1ndar: estudiar a los \u00absalvajes europeos\u00bb, confiesa, constituye su inter\u00e9s.
\nCon los tres libros donde aborda el tema de la melancol\u00eda ha desarrollado un conjunto de tesis ambiciosas. Para \u00e9l, la condici\u00f3n posmoderna es un tercer retorno de la melancol\u00eda (despu\u00e9s del Renacimiento y el Romanticismo) en la cultura occidental. La transici\u00f3n a la modernidad trajo acontecimientos tan perturbadores que la conciencia epocal requer\u00eda un modelo cultural para soportar la tristeza de lo perdido y el miedo a lo desconocido.
\nEn El duelo de los \u00e1ngeles, Bartra dirige su mirada a la manera en que Kant, Weber y Benjamin, representantes cumbre de sendas tradiciones racionalistas, reaccionaron ante la oscuridad representada por la melancol\u00eda. De manera indirecta, siguiendo sus tropiezos y ceguera en las \u00abtinieblas de la irracionalidad\u00bb, \u00e9l intenta iluminar ese \u00abhumor corrosivo y penetrante que impregna la modernidad\u00bb. Su tentativa es tan humilde como exitosa. Escrito sin falsa erudici\u00f3n o altas presunciones, este discreto ensayo seduce con inteligencia.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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