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Autobiograf\u00edas ajenas<\/span>
\nAntonio Tabucchi<\/span><\/div>\n

Anagrama. Barcelona, 2006. 143 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Digamos que usted toma este libro sin jam\u00e1s haber le\u00eddo o escuchado de Antonio Tabucchi. Ser\u00e1 dif\u00edcil: su obra es lo suficientemente vasta como para que se haya topado con cualquiera de sus t\u00edtulos aunque fuera por accidente. Pero imagin\u00e9moslo, en este escenario posible, aunque improbable, nadie saldr\u00e1 perdiendo.
\nDebemos decir ahora que la obra de Tabucchi tambi\u00e9n es lo bastante amplia para que su autor finalmente le dedique un texto. Gesto, nos advierte, in\u00fatil. A\u00f1adamos dif\u00edcil y peligroso: el paso del acto performativo de escribir al ligeramente pasivo de interpretar no es sencillo. A\u00fan as\u00ed, Tabucchi consigue pasar revista a R\u00e9quiem, Sostiene Pereira, La l\u00ednea del horizonte, Dama de Porto Pim y Se est\u00e1 haciendo cada vez m\u00e1s tarde no s\u00f3lo con maestr\u00eda sino con la elegancia y el arrojo de quien se enfrenta a los cuernos del toro.
\nEn este breve texto se despliega uno de sus m\u00e1s destacados dones: la simpleza. Autobiograf\u00edas ajenas tambi\u00e9n atiende a dos inseparables aspectos de la creaci\u00f3n literaria: la ficcionalizaci\u00f3n de nuestra propia vida y el reconocimiento de nuestra vida en la escritura.
\nNadie sale perdiendo. Si usted, despu\u00e9s de todo, se inicia en la obra de Tabucchi con el presente, la entrada al resto de su obra la tiene asegurada.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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