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El mago de Viena<\/span>
\nSergio Pitol<\/span>
\nTestimonio<\/span>
\nFCE. M\u00e9xico, 2006. 280 p\u00e1gs<\/span><\/div>\n

\n<\/span><\/div>\n

Desde El arte de la fuga, la literatura de Sergio Pitol se ha cifrado en la autobiograf\u00eda y el ensayo, en el texto que juega con las conexiones y la libertad. En esta \u00faltima entrega, el ganador del Premio Cervantes de 2005, nos otorga una nueva reflexi\u00f3n sobre sus lecturas y autores favoritos: Ch\u00e9jov, Thomas Mann, Tolstoi, Gogol, Conrad? Una reflexi\u00f3n que sigue la l\u00ednea de sus obras m\u00e1s inmediatas, Pasi\u00f3n por la trama y El viaje.
\nEl mago de Viena no es una novela ni un ensayo, ciertamente no se trata de un texto estrictamente autobiogr\u00e1fico ni una diatriba contra la literatura light. S\u00ed es, en cambio, un testimonio de la facilidad del autor para traspasar hed\u00f3nicamente las barreras de los g\u00e9neros. Pitol pasa con soltura del ensayo a la rese\u00f1a a la memoria y al testimonio.
\nUn libro interesante para quien desee adentrarse por vez primera al mundo literario de Pitol, pues a trav\u00e9s de sus apuntes y lecturas (que nos invitan a realizar con el mismo entusiasmo una visita a sus autores predilectos), podemos conocer los mecanismos y obsesiones que le dan forma a su trabajo.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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