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Nunca me abandones<\/span>
\nKazuo Ishiguro<\/span>
\nNovela<\/span>
\nAnagrama. Barcelona, 2005. 351 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Kathy, Ruth y Tommy, tres adolescentes en apariencia normales, residen en un internado en la campi\u00f1a inglesa. Sin embargo, las indiscreciones de la maestra Geraldine, las espor\u00e1dicas y misteriosas visitas de Madame -quien compra las mejores obras de arte de los j\u00f3venes para su supuesta galer\u00eda- y ciertas informaciones filtradas desde el exterior provocan que los j\u00f3venes despierten de su ingenua infancia y se conviertan en detectives de su propia identidad.
\nIshiguro, al igual que en sus cinco novelas anteriores -la m\u00e1s conocida, Los restos del d\u00eda, llevada al cine con la presencia de Anthony Hopkins- no defrauda. Novela de intriga pero sin sobresaltos y sin decaimientos, conduce por los entresijos de la psicolog\u00eda de tres j\u00f3venes en busca de una respuesta para la pregunta por esencia: \u00bfqui\u00e9nes somos?
\nFinalizada su adolescencia, los tres, junto con otros j\u00f3venes, residir\u00e1n en c\u00f3modas caba\u00f1as en donde conocer\u00e1n qui\u00e9nes son y cu\u00e1l ser\u00e1 su dram\u00e1tico final, al que intentar\u00e1n escapar usando el \u00fanico recurso disponible: el amor verdadero, al que se aferrar\u00e1n como \u00fanica tabla de redenci\u00f3n.
\nAl estilo de Aldous Huxley, el relato es una triste y profunda reflexi\u00f3n de lo que la ciencia puede llegar a hacer: la utop\u00eda suele acabar en infierno.
\nPedro Cobo<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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