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Homero, Iliada<\/span>
\nAlessandro Baricco<\/span>
\n <\/span> Anagrama. Barcelona, 2005. 187 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Alessandro Baricco, autor del conocido long-seller Seda, ensaya una temeridad literaria: intervenir el poema de Homero, la Il\u00edada, con intenci\u00f3n de acercar el cl\u00e1sico milenario de Occidente al lector occidental de hoy.
\nBaricco, lector en italiano pero no en griego, recoge una traducci\u00f3n del verso en prosa, elimina a los dioses ol\u00edmpicos para centrarse en lo estrictamente humano \u2013como si los dioses, aunque por fuerza de antropomorfizaci\u00f3n, no lo fueran\u2013, y releva a Homero como narrador omnisciente para hacer que los personajes menores tomen la primera voz: una versi\u00f3n contemporizada de un cl\u00e1sico que por definici\u00f3n hab\u00eda de ser siempre contempor\u00e1neo.
\nBorges afirmaba que existen obras que no pueden ser mejor escritas \u2013como los Evangelios frente al Para\u00edso Perdido de Milton. Homero, Il\u00edada confirma la m\u00e1xima. El intento de Baricco tiene el encanto de la simplicidad y s\u00edntesis, pero, \u00bfera la abundancia hom\u00e9rica una mota en el papel? Los lamentos de muerte de Homero no pueden ser superados por f\u00f3rmulas ramplonas. Entregar un papel simple y claro al lector consigue menos placer en sus o\u00eddos que en el Homero \u00edntegro, donde se dejan seducir por la melod\u00eda del m\u00e1s hermoso de los poemas. Sin embargo, no se puede negar que el atrevimiento de Baricco es irresistible, y su prosa fina y sencilla es un buen preludio al cl\u00e1sico.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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