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La piel muerta<\/span>
\nDavid Miklos<\/span>
\nNovela<\/span>
\nTurquest Editores. Barcelona, 2005. 83 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Un hombre sale de un crematorio y entrega las cenizas de su madre a la primera persona que encuentra en la calle. Este acto que parece todo lo contrario a una aut\u00e9ntica despedida, antecede una historia marcada por el sentido del \u00faltimo gesto. Para comprenderlo as\u00ed, el lector de La piel muerta debe ser activo.
\nDavid Miklos recurri\u00f3 a historias que admiten varias lecturas y que exigen la reconstrucci\u00f3n de fracciones narradas por varias voces en un tiempo no lineal. No se trata de an\u00e9cdotas de diferentes personajes, con s\u00f3lo algunas coincidencias entre ellas. Es en definitiva una sola historia. Est\u00e1 contada como una sinfon\u00eda, hay un mismo tema pero ning\u00fan instrumento lo interpreta igual.
\nOtro factor de unidad es el escenario. En el inexistente Puerto Trinidad la introspecci\u00f3n, el alejamiento de lo familiar, la soledad, la espera, la a\u00f1oranza y la b\u00fasqueda de una identidad cobran sentido. Tal logro no fue resultado de la casualidad, sino de cinco a\u00f1os de trabajo de Miklos. Es su primera novela y esperemos que a\u00fan nos falten muchas narraciones suyas por leer, antes de que nos sorprenda alg\u00fan extra\u00f1o con sus cenizas en la calle.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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