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La comedia rom\u00e1tica del Hollywood de los 30 y 40<\/span>
\nPablo Echart<\/span>
\n <\/span> C\u00e1tedra Madrid. 2005. 311 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Profesor de gui\u00f3n cinematogr\u00e1fico en la Universidad de Navarra, el autor es experto en la comedia rom\u00e1ntica estadounidense de los a\u00f1os 30. Desde esa perspectiva, explica que encontr\u00f3 en Hollywood una impresionante caja de resonancia.
\nEl libro presta especial atenci\u00f3n a la screwball comedy, un subg\u00e9nero donde las protagonistas son \u00abmujeres de gran determinaci\u00f3n, con frecuencia tan inteligentes como sus compa\u00f1eros\u00bb. Para Echart, el mejor reconocimiento de este personaje se da en un matrimonio exc\u00e9ntrico, alocado e imprevisible. Las mejores pel\u00edculas del g\u00e9nero muestran a una pareja que crea sus propias reglas y que rompe con todos los convencionalismos sociales.
\nEn un momento en que el pa\u00eds trata de superar la crisis econ\u00f3mica y el desencanto social provocado por la Depresi\u00f3n, estas comedias exaltan la exhuberancia vital de parejas rom\u00e1nticas genuinas y modernas que dan prioridad en sus relaciones a valores como la diversi\u00f3n, la libertad y la igualdad. El mejor ant\u00eddoto para curar las heridas, parece decir la screwball comedy, es una relaci\u00f3n rom\u00e1ntica donde la pareja se reconcilia con la vida cotidiana y la convierte en una fiesta que celebra la alegr\u00eda de vivir.
\nUn libro bien trabado, con un tono de an\u00e1lisis acad\u00e9mico que atraer\u00e1 al lector iniciado y un estilo sencillo y ameno que no espantar\u00e1 al buen aficionado con ganas de ahondar.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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