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El viento ligero de Parma<\/span>
\nEnrique Vita-Matas<\/span>
\nNarrativa<\/span>
\nSexto Piso. M\u00e9xico 2004. 192 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

As\u00ed como se duda al clasificar las novelas de Vila-Matas exclusivamente bajo este g\u00e9nero, resulta dif\u00edcil decir que sus ejercicios period\u00edsticos son solamente eso. La intuici\u00f3n fundamental del autor que cuestiona, en la pr\u00e1ctica, la fr\u00e1gil frontera entre realidad y ficci\u00f3n, literatura y vida, narrativa y otros g\u00e9neros, anima todo su ejercicio literario (quiz\u00e1 deba decir: su ejercicio vital).
\nSi la cr\u00edtica vio en Bartleby y compa\u00f1\u00eda \u2013por ejemplo\u2013 un conjunto de notas a pie, una novela armada con reflexiones sobre libros significativos para su vida y obra; no es menos cierto que los textos que componen El viento ligero en Parma pueden verse como una concertaci\u00f3n de energ\u00eda cuyas implicaciones y referencias se disparan en m\u00faltiples, innumerables direcciones.
\nEsta significativa colecci\u00f3n de art\u00edculos y ensayos literarios conduce a un nuevo viaje por el cine (Antonioni, Betolucci), la literatura (Gombrowicz, Beckett) y lugares (Barcelona, Parma) vistos bajo el ojo caleidosc\u00f3pico del autor espa\u00f1ol. Una mirada expansiva en cuyo centro siempre se encuentra la convicci\u00f3n de que vida y arte son dos formas de llamar a una misma cosa, a ese extra\u00f1o entramado de relaciones y curiosas casualidades. No queda sino advertir una obviedad: Vila-Matas es un exc\u00e9ntrico.
\nEsteban Meraz
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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