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Bartleby y compa\u00f1\u00eda<\/span>
\nEnrique Vila-Matas<\/span>
\nEnsayo<\/span>
\nAnagr\u00e1ma, Barcelona, 2002. 218 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Un libro sin texto. Una colecci\u00f3n de notas al pie que se entretejen formando un h\u00edbrido de novela y ensayo, o m\u00e1s bien, un caprichoso recorrido por la literatura del No, la de escritores que nunca lo fueron o dejaron de serlo, como Rulfo y Rimbaud, que desaparecieron silenciosamente del mundo de las letras.
\nEl narrador, un hombre un tanto jorobado y otro tanto acomplejado, que escribi\u00f3 en su juventud una mediocre novelita y tras esta renunci\u00f3 al arte de tinta y papel, decide volver a la tarea con el s\u00f3lo af\u00e1n de llevar al lector de su mano para mostrarle la intrincada red literaria de bartlebys, esos seres que renuncian a todo y encuentran en su grito silencioso una fuerza mayor a la escritura.
\nSu nombre y su negaci\u00f3n les viene de aquel p\u00e1lido oficinista creado por Herman Melville, que poco a poco renuncia a su vida y lo que le rodea, y que termina por responder a cualquier petici\u00f3n con un contundente \u00abPreferir\u00eda no hacerlo\u00bb.
\nEste relato, llevar\u00e1 al curioso lector a un inagotable mar de lecturas, de un libro a otro, de un escritor a otro\u2026 tratando de desentra\u00f1ar el misterioso silencio de los bartlebys, se contagiar\u00e1 inevitablemente de la fascinaci\u00f3n provocadora de la literatura.
\nMariana M. Salgado
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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