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La palabra pintada<\/span>
\nTom Wolfe<\/span>
\nEnsayo<\/span>
\nAnagrama, Barcelona 2004. 135 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

A pesar de ser un escritor irreverente, a veces francamente corrosivo, que abusa de la cr\u00edtica soez, La palabra pintada es excepci\u00f3n, pues al sembrar la duda, fomenta la creaci\u00f3n de un criterio propio. Queda en nosotros descubrir si la pintura es excepci\u00f3n o confirmaci\u00f3n del ideal de \u00abel arte por el arte\u00bb.
\nTom Wolfe, novelista y cr\u00edtico de arte especializado, es un experto en los movimientos innovadores del siglo pasado. Engancha al lector introduci\u00e9ndolo al proceso evolutivo de la pintura sin ser redundante, concentr\u00e1ndose s\u00f3lo en los momentos decisivos que provocaron que las corrientes art\u00edsticas imperantes antes de la primera guerra mundial rompieran con el cauce que segu\u00edan.
\nCon esta ruptura, la pintura, y la historia misma, apuestan por cambios para no dar nunca vuelta atr\u00e1s e, involuntariamente, se repiten aunque de una manera singular.
\n\u00abLa carencia de una teor\u00eda convincente [sobre el arte] significa la falta de algo crucial\u00bb. Para Wolfe, el encuentro con esta reflexi\u00f3n, constituye el parte aguas que lo impulsa a dilucidar cuestiones para las que no existe una perspectiva \u00fanica desde la cual extraer una respuesta satisfactoria.
\nPamela H. Nore\u00f1a
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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