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Madame Bovary<\/span>
\nGustave Flaubert<\/span>
\nNovela<\/span>
\nTusquets. Barcelona, 2004. 394 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

\u00abNo es el mundo de la burgues\u00eda, sino algo m\u00e1s ancho, que cubre transversalmente a las clases sociales, lo que madame Bovary convierte en materia central de la novela: el reino de la mediocridad\u00bb.
\nVargas Llosa define as\u00ed, con tino de cirujano, la esencia de uno de los relatos m\u00e1s estremecedores del siglo XIX, la madre de novelas encumbradas como El extranjero o La n\u00e1usea. Y es que leer Madame Bovary es, en buena parte, recorrer el universo gris del hombre sin cualidades.
\nLa famosa antihero\u00edna de Flaubert resume las notas de la mujer moderna: culta, intelectualmente capaz, con aspiraciones que rebasan el blanco de la cocina, \u00e1vida del mundo, bella e insumisa hacia los estereotipos de lo masculino y femenino.
\nSin embargo, Emma Bovary vive en esa hostilidad de lo anodino, al lado de un esposo antag\u00f3nico hasta la crueldad, en un pueblo de la campi\u00f1a francesa donde todos est\u00e1n conformes con todo y la ignorancia tiene car\u00e1cter de esencial.
\nAh\u00ed radica la tensi\u00f3n dram\u00e1tica de la novela: una hermosa mujer, rebelde e inteligente, vive en un ambiente rural y fan\u00e1tico \u2014un microcosmos que replica la sociedad de la \u00e9poca\u2014 que amenaza con dar fin a los sue\u00f1os del g\u00e9nero humano.
\nEra l\u00f3gico el alubi\u00f3n de injurias cosechadas por la novela: un interminable proceso judicial contra Flaubert, la ira de las mujeres y el rechazo general de la cr\u00edtica para quien Emma Bovary no era m\u00e1s que una descocada y arribista.
\nSediciosa, la novela fue objeto de culto durante d\u00e9cadas. Hoy, es un cl\u00e1sico al que vale la pena volver, ya sea por la impecable calidad literaria o por su fina s\u00e1tira del rid\u00edculo conformismo humano. <\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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