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Quincalla<\/span>
\nJos\u00e9 Montelongo<\/span>
\nNovela<\/span>
\nEditorial Jus. M\u00e9xico, 2004. 228 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

La novela inicia con una trepidante persecusi\u00f3n; de pronto el lector est\u00e1 inmerso en la antigua ciudad de M\u00e9xico, color sepia, elegante incluso en el vicio. Hasta ah\u00ed la historia parece predecible: una novela policiaca. Luego viene un giro hacia otros horizontes. Aparece el M\u00e9xico posrevolucionario, de pueblos insignificantes y caminos de tierra, que recuerda a Rulfo y Magdaleno. Una familia numerosa, un padre echador y pendenciero; una madre fr\u00e1gil, casi insignificante y un muchacho que observa todo y rumia en su interior los misterios de la condici\u00f3n humana.
\nOtro viraje inserta a M\u00e9xico en el mundo: noticias de la gran guerra, emigrantes. La madurez del personaje no inhibe a los fantasmas que lo persiguen en una permanente \u00abtormenta bajo el cr\u00e1neo\u00bb.\u00ab\u00bfQui\u00e9n soy? \u00bfqu\u00e9 sentido tiene todo esto? \u00bfpor qu\u00e9 el ser y no la nada?\u00bb masculla mientras golpea a un gringo gordinfl\u00f3n o corretea a un criminal por un mercado.
\nEs permanente la obsesi\u00f3n del autor por el sonido, por la sinfon\u00eda de las letras. Trata al lenguaje con tanto esmero, que en ocasiones la narraci\u00f3n olvida su cometido y se detiene en hermosas descripciones, en rescatar palabras: \u00abp\u00e9rfido, l\u00fabrico, prec\u00e1mbrico\u00bb.
\nEl t\u00edtulo remite a un conjunto: objetos met\u00e1licos de poco valor, algunos de adorno o capricho\u2026 que al juntar el autor con riesgo y maestr\u00eda producen un caleidoscopio de aventuras, dudas, b\u00fasquedas.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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