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El bandido<\/span>
\nRobert Walser<\/span>
\nCuentos<\/span>
\nSiruela. Madrid, 2004. 156 p\u00e1gs.<\/span><\/div>\n

\u00a0<\/span><\/div>\n

Al hablar de Robert Walser hay que recordar la conversaci\u00f3n que tuvo con su amigo Carl Seelig d\u00edas despu\u00e9s de que fuera recluido en el manicomio de Herisau, cerca de Zurich, debido a su aparente esquizofrenia: \u00abNo pido m\u00e1s. En el sanatorio tengo la paz que necesito. Que los j\u00f3venes hagan ruido ahora. Lo que me conviene es desaparecer, llamando la atenci\u00f3n lo menos posible\u00bb.
\nSeg\u00fan los informes del Centro Psiqui\u00e1trico, el d\u00e9bil estado mental del paciente n\u00famero 3561 era incuestionable. Sin embargo, como afirma Enrique Vila-Matas, nunca sabremos si el autor de Jakob von Gunten, El bandido, El paseo, entre muchas otras obras, se hizo pasar por loco para que lo dejaran vivir en paz, en un rinc\u00f3n en el que fuera posible que el mundo lo olvidara.
\nSu influencia es notable. Sin \u00e9l, Kafka y Benjamin resultan impensables. Rompi\u00f3 muchos esquemas de la novela tradicional: la distancia entre narrador, personaje y lector se desmorona en sus p\u00e1ginas, ataca la naciente burgues\u00eda y hay una mordacidad sin parang\u00f3n para la \u00e9poca.
\nEl bandido es una s\u00e1tira fascinante sobre un in\u00fatil al que le divierte que lo vean con ojos hura\u00f1os y sufre una demencial debilidad por las chocolatinas. Pero tambi\u00e9n es un rom\u00e1ntico e hilarante relato sobre un perdedor completamente enamorado de una camarera, y de c\u00f3mo busca atraer para s\u00ed la belleza de su amor.
\nEn resumen, una obra fundamental para la literatura del siglo 20. Fue escrita en el verano de 1925 y publicada de manera p\u00f3stuma hasta 1972. Un cuento singular narrado de la \u00fanica manera que podr\u00eda serlo, con el que Walser cerr\u00f3 su ciclo novel\u00edstico y abandon\u00f3 la literatura para siempre.
\n<\/span>
\n $\"\"$ <\/div>\n

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