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Veinte d\u00edas con Julian y Conejito<\/span>
\nNathaniel Hawthorne<\/span>
\nNarrativa<\/span>
\nAnagrama. Barcelona, 2004. 156 p\u00e1gs.<\/span><\/div>\n

\u00a0<\/span><\/div>\n

Enrique Vila-Matas ha escrito que lo mejor de los cuentos de Hawthorne era que \u00abestuvieran siempre sometidos al \u201cgran poder de la negrura\u201d, ese lado nocturno y casi demon\u00edaco que existe tambi\u00e9n en el propio Melville y en Poe, es decir, en los tres grandes fundadores de la narraci\u00f3n norteamericana\u00bb.
\nAnagrama lanza a las estanter\u00edas un libro que desconcertar\u00e1 a quienes conozcan esa negrura de Hawthorne. Se trata de la bit\u00e1cora de los veinte d\u00edas que el autor de La letra escarlata pas\u00f3 con su hijo Julian, sin m\u00e1s compa\u00f1\u00eda que un conejito.
\nCuesta trabajo ubicar a un escritor preferentemente turbio y sarc\u00e1stico haci\u00e9ndola de nana de un ni\u00f1o de cinco a\u00f1os y, lo m\u00e1s sorprendente, con conocimiento de causa. En este peque\u00f1o relato, bien apuntalado por la introducci\u00f3n de Paul Auster, Hawthorne exhibe la profunda admiraci\u00f3n que le provocan las andanzas de su hijo.
\nVeinte d\u00edas con Julian y Conejito es un libro contestatario para la \u00e9poca. Como dice Auster, \u00ablo fundamental del relato es el propio ni\u00f1o, las actividades diarias del padre y del hijo, las ef\u00edmeras nader\u00edas de la vida dom\u00e9stica\u00bb.
\n<\/span>
\n $\"\"$ <\/div>\n

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