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Cinco cuentos de mujeres<\/span>
\nEdgar Allan Poe. (trad. de Julio Cort\u00e1zar)<\/span>
\nCuentos<\/span>
\nEd. Sirpus. Barcelona, 2001. 103 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Edgar Allan Poe es un maestro de la narraci\u00f3n g\u00f3tica, aquella con tonos oscuros, siempre impregnada de terror o cercana al miedo y al horror. Adjetivos como \u00abespantoso\u00bb, \u00abpavoroso\u00bb, \u00ababominable\u00bb, \u00abhorripilante\u00bb, caracterizan su producci\u00f3n literaria. Las cinco narraciones que presenta editorial Sirpus, en su momento aparecieron publicadas por separado.
\nLa traducci\u00f3n de Julio Cort\u00e1zar es magn\u00edfica, con un rico castellano que proporciona una lucidez tan atractiva como el tema de cada cuento: uno terror\u00edfico, otro on\u00edrico y uno extra\u00f1amente rom\u00e1ntico, adem\u00e1s de los de humor negro que abren y cierran esta edici\u00f3n.
\nLa protagonista principal de ambos es la Signora Psyche Zenobia, dama generosa que no dudar\u00e1 en jugarse la existencia para transcribir los sentimientos m\u00e1s genuinos de quien pierde la cabeza y la vida por culpa de Cronos. En cambio, la macabra suerte de Berenice horroriza incluso a los adultos. La caja oblonga conduce por laberintos marinos con un dram\u00e1tico final. Eleonora se convierte en un bello cuento rom\u00e1ntico con descripciones m\u00e1s propias de un sue\u00f1o que de la realidad: una perla rara en Poe. Cierra esta colecci\u00f3n Una malaventura, en la que la sonrisa final se nos queda congelada.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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