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El viaje de invierno<\/span>
\nGeorges Perec<\/span>
\nNarrativa<\/span>
\nVerdehalago. Alicante, 2004. 45 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

En el Oulipo (Taller de literatura potencial, por sus siglas en franc\u00e9s) autores como Raymond Queneau, Fran\u00e7ois Le Lionais, Marcel B\u00e9nabou, Georges Perec o Italo Calvino, han ensayado las posibilidades de la creaci\u00f3n literaria a partir de restricciones auto impuestas. La intuici\u00f3n central del grupo, formado en Francia en 1960, es precisamente explotar las posibilidades narrativas y estructurales de la restricci\u00f3n como manantial literario, contra la idea \uf0besiempre ambigua\uf0be de inspiraci\u00f3n.
\nEl viaje de invierno se inscribe paradigm\u00e1ticamente dentro de la experimentaci\u00f3n realizada por Perec en el Oulipo. Con la destreza po\u00e9tica aplicada a los usos y l\u00edmites ling\u00fc\u00edsticos que lo caracteriza, el autor de La vida instrucciones de uso (su obra m\u00e1s conocida), consigue ilustrar en este breve relato algunas de las \u00abrestricciones\u00bb m\u00e1s socorridas por los miembros del grupo. Desde el planteamiento laber\u00edntico de un texto de posibilidades ilimitadas, hasta el \u00abplagio por anticipaci\u00f3n\u00bb.
\nSin embargo, en El viaje de invierno la \u00abpotencialidad\u00bb del texto no es principio sino objeto de la narraci\u00f3n. Este relato sobre el descubrimiento accidental de un libro que habr\u00eda sido \u00abplagiado\u00bb por Rimbaud, Mallarm\u00e9, Verlaine, Lautreamont, entre otros, es el relato de un momento restrictivo. Si se quiere, un trabajo meta-oulipiano. Dif\u00edcil, sin duda, pero apasionante.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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