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Un d\u00eda m\u00e1s con vida<\/span>
\nRyszard Kapuscinski<\/span>
\n <\/span> Anagrama. Barcelona, 2003. 182 p\u00e1gs.<\/span><\/div>\n

<\/div>\n

Durante 22 a\u00f1os, Kapuscinski (Polonia, 1932) fue corresponsal de la Agencia Polaca de Prensa. Colaborador del New York Times, Times y Frankfurter Allgemeine Zeitung.
\nPara un hombre como Kapuscinski, que no escribe de la gente si no ha compartido con ella por lo menos una peque\u00f1a parte de su vida, las experiencias diarias no podr\u00edan ser m\u00e1s extremas.
\nAl situarse en la m\u00e9dula de la contienda por Angola, comparti\u00f3 con sus habitantes las condiciones de la guerrilla y la podredumbre de las calles. La escasez y la violencia se escapan de las p\u00e1ginas, y la tensi\u00f3n se sostiene durante el recorrido por el territorio angole\u00f1o.
\nNo s\u00f3lo el compromiso con su profesi\u00f3n lo movi\u00f3 a estar presente en un acontecimiento que acapar\u00f3 la atenci\u00f3n mundial en los a\u00f1os setenta, tambi\u00e9n fue el deseo de distinguir en lo individual las caras de los desafortunados, como las de los j\u00f3venes que anhelan asistir a la escuela pero son obligados a ir a al frente, sin perder ni un solo segundo la esperanza de sobrevivir.
\nCada d\u00eda es una agon\u00eda que se prolonga, sin dejar de mezclarse con episodios surrealistas como idas al cine y fines de semana pac\u00edficos, cuando todo el mundo tiene derecho a dormir, y eso s\u00ed, a diferencia de la vida del enemigo, se respeta.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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