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C\u00f3mo leer y escribir poes\u00eda. Primeros pasos<\/span>
\nHugo Hiriart<\/span>
\nEnsayo<\/span>
\nTusquets. M\u00e9xico, 2003. 126 p\u00e1gs.<\/span>\n

<\/div>\n

Actual director del Instituto de Cultura del Consulado de M\u00e9xico en Nueva York, Hugo Hiriart (M\u00e9xico, 1942) es fil\u00f3sofo por la UNAM y autor de una numerosa obra narrativa.
\nLa poes\u00eda es un asunto de comunicaci\u00f3n y supervivencia. Cada poema es un mensaje dentro de una botella dispuesto a entrar al mar. Quiz\u00e1 nadie lo lance nunca, pero el poema ah\u00ed estar\u00e1, al borde de alguna isla \u2014esperando\u2014 o en el mar, tambi\u00e9n a la guarda.
\nDe ambos frentes se ocupa Hiriart en este libro: de la comunicaci\u00f3n y la supervivencia, de la lectura y la hechura de la poes\u00eda.
\nLigero y agudo, siempre ameno, el libro propone algunas formas, seguras y divertidas, de arrojar al mar las botellas po\u00e9ticas. A veces parecer\u00e1 que Hiriart se dirige s\u00f3lo a j\u00f3venes, incluso a ni\u00f1os, pero su constante desenfado no deber\u00e1 alejar al lector adulto. Villaurrutia, Elliot, Borges\u2026 otean por el mar de las s\u00edlabas y la imaginaci\u00f3n para descubrirnos fondos llenos de riqueza, aun en el corrido de Rosita Alv\u00edrez o en alg\u00fan p\u00edcaro romance espa\u00f1ol.
\nUna idea yace en el lecho del libro, aplicable a toda la literatura: la lectura y la creaci\u00f3n de poemas son un juego y, como casi siempre, los juegos son peque\u00f1as ocasiones de alegr\u00eda. \u00abHacer versos malos \u2014dec\u00eda Hesse\u2014 depara m\u00e1s felicidad que leer los versos m\u00e1s bellos\u00bb.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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