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Jacobo el mutante<\/span>
\nMario Bellatin<\/span>
\nCuentos<\/span>
\nAlfaguara. M\u00e9xico, 2002. 75 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

El premio Xavier Villaurrutia 2001, Mario Bellatin, ha sido criticado por avanzar en contra de los c\u00e1nones que endiosaron al boom latinoamericano. Nos recuerda que la escritura \u2014como todas las artes\u2014 es t\u00e9cnica que puede servir de instrumento para descubrir nuevas realidades en contra de la tradici\u00f3n literaria.
\nBellatin rescata a la literatura como ficci\u00f3n; recurre al no-tiempo, al no-espacio, al sinsentido, a la fotograf\u00eda como discurso paralelo y, esta vez, a La frontera; una inexistente novela de Joseph Roth. Jacobo el mutante es una novela sobre otra novela.
\nEl narrador \u2014como nosotros\u2014 es un lector que busca sentido en la historia de Jacobo, un rabino heterodoxo que sufre una extra\u00f1a mutaci\u00f3n. A partir de ese momento, Bellatin propone una encrucijada en la frontera del absurdo y el sentido, para desdoblar de nuevo una historia contada en espiral.
\nA la manera de los filmes de David Lynch, la trama es caprichosa, donde lo que cuenta es la manera de contar. El contenido s\u00f3lo es un pretexto, una ocasi\u00f3n para que el lector descubra su propia lectura.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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