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El azul en la flama<\/span>
\nDavid Huerta<\/span>
\n <\/span> Era. M\u00e9xico, 2002. 97 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Jos\u00e9 Gorostiza es uno de esos escritores ensimismados, contemplativos, cuya obra contiene luminosas advertencias e im\u00e1genes perfectas. A \u00e9l va dedicado El azul en la flama. Pero no s\u00f3lo eso. Huerta no puede negar la cruz de su parroquia. Pareciera que Gorostiza hubiera secuestrado los ejes del libro, sus cimientos, y que desde all\u00ed irradiara inspiraci\u00f3n inagotable.
\nEl vaso, el agua contenida, el aire y sus esquirlas, la soledad, son lugares a los que Huerta vuelve una y otra vez, con novedad misteriosa. Y si bien es evidente la influencia del poeta tabasque\u00f1o, una sangre original y novedosa corre en las p\u00e1ginas del libro.
\nTambi\u00e9n aparecen, como nota peculiar de la poes\u00eda de Huerta, reflexiones en torno a la gestaci\u00f3n de un poema y su proceso.
\nEn una de ellas, el autor confiesa: \u00abEl escritor desv\u00eda los limos y los dibujos de las palabras. Al fondo del estanque se tejen s\u00edlabas de ox\u00edgeno h\u00famedo que deber\u00edan ser como cristales: burbujas o exclamaciones, lentos signos. El escritor desv\u00eda y acumula. P\u00e1rrafos y per\u00edodos, cl\u00e1usulas que se agitan tenuemente en la encendida intemperie del ojo. El escritor lee. El escritor corrige. En vilo se ha inflamado y ahora se debilita. Vuelve a escribir hasta la extenuaci\u00f3n, siempre al borde de abismos diminutos\u00bb.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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