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P\u00e1jaros de Hispanoam\u00e9rica<\/span>
\nAugusto Monterroso<\/span>
\nTestimonio<\/span>
\nAlfaguara. M\u00e9xico, 2002. 213 p\u00e1gs.<\/span>\n

El p\u00e1jaro todo lo canta y todo lo sabe. A la curiosidad infantil los padres responden \u00abme lo dijo un pajarito\u00bb. Muchas aves, sabias, le han hablado a Augusto Monterroso \u2013monumental padre de la brevedad literaria\u2013, quien presenta aqu\u00ed el recuento de algunos de esos p\u00e1jaros, confidentes suyos, que surcan el cielo de la cultura hispanoamericana. La polifon\u00eda final es altamente seductora. Monterroso rescata los cantos de p\u00e1jaros cercanos que a\u00fan hoy, en medio del fragoroso ruido urbano, subsisten y relajan y hechizan. Su pluma detiene el canto de aves famosas y el de otras m\u00e1s discretas, atrapando alg\u00fan encuentro, alguna conversaci\u00f3n, alguna visita al cementerio. Su memoria congela el aleteo amistoso de Rub\u00e9n Bonifaz Nu\u00f1o o Eduardo Lizalde, el vuelo encumbrado de Borges o Cort\u00e1zar, la agilidad plum\u00edfera de Onetti o Rulfo. En el pr\u00f3logo, breve, Monterroso admite que los ha tenido enjaulados en diversos libros y que ahora quiere \u00abponerlos en un mismo recinto, en el cual, si no libres, estar\u00e1n por lo menos con los suyos\u00bb. Inevitablemente, la poes\u00eda se interpondr\u00e1 entre el lector y el libro, entre usted y Augusto Monterroso.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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