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Ficciones de fin de siglo<\/span>
\nMarc Aug\u00e9<\/span>
\nEnsayo<\/span>
\nGedisa. Barcelona, 2001. 187 p\u00e1gs.<\/span>\n

<\/div>\n

Con ocasi\u00f3n del mundial de futbol en Francia, la muerte de la princesa Diana, y el tour de France, entre otras noticias, Aug\u00e9 analiza desde algunas cr\u00f3nicas propias la evoluci\u00f3n y repercusi\u00f3n de tales \u00abacontecimientos\u00bb. Muestra la relaci\u00f3n entre el \u00abacontecimiento medi\u00e1tico\u00bb, el espacio y la imagen; el papel del etn\u00f3logo y el artista en el contexto de la globalizaci\u00f3n, donde una noticia puede tener un efecto mundial (el espacio es reducido debido al transporte y las comunicaciones) y la fuerza de la imagen est\u00e1 siempre presente. Al hacer de un suceso un acontecimiento \u2013o si lo ignoran, que deje de serlo\u2013, los medios aseguran que ciertos \u00e1mbitos, como el deporte y la pol\u00edtica nacional, permanezcan en el gran p\u00fablico. El autor hace ver que los \u00abacontecimientos\u00bb no s\u00f3lo pueden ser verdaderos o falsos, sino pol\u00edticamente correctos o incorrec-tos, ejemplares o repudiables, partidistas o indiferentes \u2013rara vez, imparciales. Son ficciones, pero con una realidad multidimensional; no se distinguen de la realidad ni de la verdad, pero pretenden sustituirla. Entonces, \u00bfqu\u00e9 sentido social tienen? El antrop\u00f3logo franc\u00e9s no ofrece respuestas definitivas, s\u00f3lo muestra los problemas que los medios suscitan en la vida privada y p\u00fablica, en el contexto de la globalizaci\u00f3n.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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