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Creando la realidad. El cine informativo 1895-1945<\/span>
\nMar\u00eda Antonia Paz y Julio Montero<\/span>
\nEnsayo<\/span>
\nAriel. Barcelona, 1999. 405 p\u00e1gs.<\/span>\n

<\/div>\n

Los autores, profesores de historia de la comunicaci\u00f3n en la Universidad Complutense de Madrid, hacen un recorrido distinto por la historia del cine: la historia de la utilizaci\u00f3n del cine para inculturizar masas. Gracias a su lectura, entenderemos el trasfondo ideol\u00f3gico del cine nazi, del fascista italiano, de los dos bandos que lucharon en la guerra civil espa\u00f1ola y, \u00a1como no!, el de Hollywood y su cruzada contra los pa\u00edses del eje. Fueron pocos quienes no lloraron con Casablanca o se emocionaron al sentir \u2013m\u00e1s que ver\u2013 La batalla de Midway. Varias generaciones crecimos con esas im\u00e1genes, que nos proporcionaron horas de entretenimiento. Los productores buscaban entre-tener, adem\u00e1s de ganar dinero, pero tambi\u00e9n y, quiz\u00e1s sobre todo, pretend\u00edan influir al p\u00fablico de cierto modo. No es casualidad que ambas pel\u00edculas se estrenaran en plena segunda guerra mundial. El cine \u2013lo saben quienes dirigen los estados\u2013 influye poderosamente en la sociedad de masas. A pesar de ser un libro acad\u00e9mico \u2013su abundante bibliograf\u00eda lo atestigua\u2013 es ameno y f\u00e1cil de leer. Al terminarlo, los amantes del cine ver\u00e1n con nuevos ojos sus pel\u00edculas favoritas. Como suele pasar con los libros europeos, \u00e9ste olvida el cine latinoamericano, concretamente el mexicano, del que mucho se podr\u00eda haber dicho, especialmente en uno de sus mejores momentos.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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