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El dador<\/span><\/strong>
\nLois Lowry<\/span>
\nNovela<\/span>
\nEverest. Espa\u00f1a. 1996, 172 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n
\n
Galardonado con el Premio Newberry a la mejor composici\u00f3n literaria infantil, El dador despliega una trama de complejas ideas sociales y filos\u00f3ficas que resultan incluso m\u00e1s atractivas a un auditorio maduro. La autora consigue, gracias a un dominio absoluto de la tensi\u00f3n dram\u00e1tica, que el lector no abandone el libro hasta alcanzar el punto final. El tema y los t\u00e9rminos empleados recuerdan 1984, de George Orwell. Ambas obras exponen las consecuencias de un racionalismo extremo y parecen decir: en un futuro, la raz\u00f3n humana habr\u00e1 logrado erradicar el dolor, ocasionando una p\u00e9rdida incalculable: mancillar el amor al grado de conformarse con suced\u00e1neos balad\u00edes. Estas antiutop\u00edas evidencian la imposibilidad de un verdadero Para\u00edso en la tierra. Lowry, heredera de la cultura norteamericana, al inicio presenta como aceptable la idea del control natal y la eutanasia. Empero, a trav\u00e9s de sus p\u00e1ginas parece estremecerse ante la brutalidad de tales pr\u00e1cticas. La \u00faltima secuencia del protagonista justifica, finalmente, la defensa de la vida.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n
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