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El alquimista<\/span>
\nPaulo Coelho<\/span>
\nNovela<\/span>
\nGrijalbo. M\u00e9xico. 1997, 203 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Los libros de Coelho (Brasil, 1947) se abren paso al golpe de cifras y argumentos-gancho de la mercadotecnia: \u00abpublicados en 70 pa\u00edses, traducidos a 33 idiomas, m\u00e1s de 20 millones de ejemplares vendidos\u2026 De ni\u00f1o perdi\u00f3 la fe, fue hippie, compositor de rock y en un viaje a Roma recuper\u00f3 la fe cat\u00f3lica\u00bb. Su obra resulta un fen\u00f3meno sociol\u00f3gico a tono con la actualidad; en estos a\u00f1os de cierto renacimiento religioso, mezcla, como en el New Age, un poco de religiones orientales, magia y esoterismo, recetas de autosuperaci\u00f3n, tono optimista y sencillez narrativa y argumental. El alquimista (1988), primer libro que le dio fama mundial, intenta mostrar que lo valioso en la vida es el esfuerzo, el forjarse cada cual a s\u00ed mismo en la b\u00fasqueda de un \u201ctesoro\u201d, un porqu\u00e9 vivir que colme las ansias del coraz\u00f3n; pero ese intento viril de su historia se transforma en almibarado cuento de magia. La contraportada afirma que esta obra ha sido comparada con El principito, pero m\u00e1s bien recuerda a Og Mandino en El vendedor m\u00e1s grande del mundo, y aunque el autor afirme que Borges es su \u00eddolo literario, en su prosa pobre no se ve el m\u00e1s m\u00ednimo reflejo del argentino.<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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