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Los miserables (Les miserables)<\/span><\/div>\n

Director: Bille August.<\/div>\n

Gui\u00f3n: Rafael Yglesias.
\nInt\u00e9rpretes: Liam Neeson, Geoffrey Rush, Uma Thurman, Claire Danes, Hans Matheson, Reine Brynolfsson.
\nDuraci\u00f3n: 131 minutos.
\nP\u00fablico: J\u00f3venes y adultos.<\/span> <\/span><\/div>\n

<\/div>\n

Parecer\u00eda que nada original cabr\u00eda ya decir sobre una historia tan conocida \u2014convertida tambi\u00e9n en un espect\u00e1culo musical, que ha dado la vuelta al mundo\u2014. Todo lo contrario. Y el m\u00e9rito de esta recreaci\u00f3n apasionante y apasionada de la obra de V\u00edctor Hugo es en primer lugar del guionista Rafael Yglesias, que centra la atenci\u00f3n en la definici\u00f3n de los personajes, ahonda en su alma y sentimientos. Sin perderse en sucesos menores ni en ambientaciones de \u00e9poca, traza el s\u00f3lido n\u00facleo de la historia entre los cuatro protagonistas: Jean Valjean, el odiseo h\u00e9roe (Liam Neeson); el inspector Javert, el malvado antagonista (Geoffrey Rush); la desgraciada prostituta Fantine (Uma Thurman) y su enamorada hija Cosette (Claire Danes). Con un texto consistente y unos di\u00e1logos precisos, estos grandes actores han dado aut\u00e9ntica vida y naturaleza a sus personajes, ya cl\u00e1sicos.
\nBille August sigue el esp\u00edritu del gui\u00f3n, centrando tambi\u00e9n su c\u00e1mara en estos personajes y en sus rostros, sin aligerar el ritmo denso de la tragedia humana con panor\u00e1micas de paisajes, plazas de mercado o interiores s\u00f3rdidos o suntuosos\u2026; no, todo va de alma en alma, casi sin respiro. August dirige con sobriedad, facilitando el entramado y encadenamiento de unas vidas \u2014los miserables\u2014 aparentemente marcadas por un sino adverso.
\nLa pel\u00edcula mantiene y subraya eficazmente, en los momentos precisos, el sentido cristiano de la vida, la muerte, la alegr\u00eda y el dolor, de modo que tanto los protagonistas como los secundarios cobran verdadera profundidad. Y como el referente novel\u00edstico (pero dejando bien sentado que tiene un gran valor en s\u00ed misma), la tragedia rom\u00e1ntica acaba al modo cl\u00e1sico: con el castigo del mal y el triunfo del bien.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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