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Los dientes eran el piano<\/span>
Hugo Hiriart<\/span>
Ensayo<\/span>
Tusquets. M\u00e9xico.1999, 257 p\u00e1gs.<\/span>\n

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\u00abLas respuestas que puedo dar y doy en este libro\u2026 son al viejo estilo, es decir, intento articular una visi\u00f3n del arte y la belleza\u00bb.
De gustos no se discute. Pero \u00bfes posible aplicar esta frase en el arte? \u00bfC\u00f3mo podemos apreciar la belleza y el arte? \u00bfQu\u00e9 facultad le permite al artista realizar un objeto realmente art\u00edstico y por qu\u00e9 vericuetos debe transitar para conseguirla? En este libro, Hugo Hiriart no se dirige solamente a estetas y artistas. A trav\u00e9s de breves y amenos ensayos, nos ofrece una propuesta para reflexionar y discutir sobre aquella facultad que Santa Teresa de \u00c1vila llamaba \u00abla loca de la casa\u00bb. La imaginaci\u00f3n ha sido poco estudiada en el arte y los legos poseemos una vaga idea de c\u00f3mo la utilizamos. Los libros sobre arte generalmente abordan la perspectiva del espectador, sin embargo, Hiriart \uf0becreador de narrativa, dramaturgia y artes pl\u00e1sticas\uf0be nos ofrece la visi\u00f3n del demiurgo. Intenta trazar un mapa del camino que va de la idea a la obra consumada. El gu\u00eda que opera misteriosamente en los laberintos creativos es, sin duda, la imaginaci\u00f3n. Veamos c\u00f3mo el autor mexicano, nacido en 1942, nos lleva a perseguir a esta \u00abmusa\u00bb que ha regalado al hombre uno de los mayores goces: la capacidad l\u00fadica de crear.
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