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Como un mensajero tuyo<\/span>
\nMayra Montero<\/span>
\nNovela<\/span>
\nTusquets. M\u00e9xico. 1998, 261 p\u00e1gs.<\/span>\n

<\/div>\n

\u00c9ste es un libro negro. Al abrirlo, sus alas de cuervo comienzan a presagiar tormenta.
\nMayra Montero (La Habana, 1952) escribe un relato magistral, tanto por el tema \u2014que no termina de definirse como verdad o ficci\u00f3n\u2014 como por la forma, clara y trepidante, que utiliza. Se trata de la historia escondida de Enrico Caruso, desaparecido varios d\u00edas en Cuba, despu\u00e9s de estallar un bombazo \u2014en el Teatro Nacional de La Habana, en junio de 1920\u2014 durante la funci\u00f3n de la \u00f3pera A\u00edda.
\nComo un mensajero tuyo es una espl\u00e9ndida tragedia griega \u2014dioses, adivinaciones, premoniciones incluidas\u2014 impregnada de un aire h\u00famedo, oscuro, un aire sudoroso; impregnada toda ella de Caribe. \u00abLa fatalidad es la \u00fanica \u00f3pera que nunca hay que estudiar: nacemos con ella ya aprendida\u00bb, afirma alguien en sus p\u00e1ginas. La fatalidad es un libro con pastas negras desde el cual Caruso nos mira, desafiante y perdido, buscando, quiz\u00e1s para atajarlo, ese primer aleteo azul negro de un cuervo.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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