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Tr\u00edptico<\/span>
\nAugusto Monterroso<\/span>
\nFondo de Cultura Econ\u00f3mica. M\u00e9xico. 1996, 417 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Quien quiera sonre\u00edr, no perder el buen humor, ver el lado amable, parad\u00f3jico y l\u00fadico de la vida, aun la de los escritores, quien esto desee lea Tr\u00edptico, aun a riesgo de volverlo a leer en un movimiento perpetuo de cuentos, ensayos, notas, consideraciones y diversiones sin que falten sus particulares opiniones pol\u00edticas. Tr\u00edptico est\u00e1 compuesto por diversos g\u00e9neros literarios y por tres obras publicadas previamente por separado: Movimiento perpetuo, La palabra m\u00e1gica y La letra e. En cambio, aunque sea un tr\u00edptico, cuenta con cuatro estudios cr\u00edticos, uno de los cuales, adem\u00e1s, se titula modestamente: Introducci\u00f3n general, exceso que se perdona por el subt\u00edtulo: Augusto Monterroso: el humor que muerde.
\nPara algunos, La letra e ser\u00e1 la parte m\u00e1s desconcertante de Augusto Monterroso en este Tr\u00edptico, por transmitirnos sus notas, reflexiones, ensayos y f\u00e1bulas escritas previamente en un diario. Su sentido del humor comienza por la autoiron\u00eda: la de quien hace publicar su fotograf\u00eda al lado de otro famoso escritor, con la leyenda \u201cAugusto Monterroso al lado de un hombre normal\u201d (el primero de 1.60m y el segundo de 1.90); o que anota: \u00abCharles Lamb era un hombre bajito, t\u00edmido y sarc\u00e1stico, cosas que, si uno se fija, tienden siempre a juntarse\u00bb. Yo me quedo con Monterroso por su estricta autocr\u00edtica llena de buen humor. Por \u00e9ste y mucho m\u00e1s, Tr\u00edptico merece ser le\u00eddo.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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