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El testamento franc\u00e9s<\/span>
\nAndrei Makine<\/span>
\nNovela<\/span>
\nTusquets. Barcelona. 1996, 287 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Andrei Makine naci\u00f3 en Siberia (1957). Doctor en Letras por la Universidad de Mosc\u00fa, fue profesor de franc\u00e9s. Emigr\u00f3 a Francia y all\u00ed, como los editores no publicaban novelas en franc\u00e9s escritas por un extranjero, utiliz\u00f3 un artificio: reescribir sus novelas al ruso e inventarse un supuesto traductor al franc\u00e9s. La cr\u00edtica elogi\u00f3 la calidad de la traducci\u00f3n. Con \u201cEl testamento franc\u00e9s\u201d, su cuarta novela, gan\u00f3 los premios Goncourt y M\u00e9dicis en 1995.
\nLa novela tiene mucho de autobiograf\u00eda. Un escritor ruso asentado en Francia, narra su pasado al hilo del propio itinerario interior. Desde su ni\u00f1ez, Francia se hace omnipresente gracias a los relatos de Charlotte Lemonnier, su abuela, y se convierte a los ojos del ni\u00f1o en pa\u00eds encantado: una \u201cAtl\u00e1ntida\u201d que ciega la realidad.
\nPero con la adolescencia, lo inmediato se impone, la Rusia post-stalinista ahoga cualquier referencia al ideal de la infancia. Sus dos identidades \uf0berusa y francesa\uf0be se disputan la direcci\u00f3n de su vida. Rusia \uf0besu tr\u00e1gico destino y el de sus gentes\uf0be, el comunismo y el sexo se adue\u00f1an de su vida. El autor describe el despertar sexual pero huye de la vulgaridad y distingue claramente la atracci\u00f3n sexual del amor.
\nMakine es incisivo al enfrentar la mentalidad rusa y la sensibilidad francesa. Algunas de las m\u00e1s bellas p\u00e1ginas se refieren al momento en que el protagonista deja de prestar atenci\u00f3n a los ideales mitificados de Francia y vuelca su mirada hacia la persona misma, capaz de trocar un breve instante de belleza en algo inefable.
\n\u00c9ste es un libro de marcado lirismo, donde el autor compagina recuerdos con reflexiones de notable complejidad. La literatura, el lenguaje, el genio de cada idioma, adquieren aqu\u00ed entidad propia, capaz de transformar los hechos.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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