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Cuentos, f\u00e1bulas y lo dem\u00e1s es silencio<\/span>
\nAugusto Monterroso<\/span>
\nCuentos<\/span>
\nAlfaguara. M\u00e9xico. 1996, 360 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

\u00abHoy me siento bien, un Balzac; estoy terminando esta l\u00ednea\u00bb. Este cuento define a las mil maravillas la personalidad, estilo y fin de la obra de Augusto Monterroso. Brevedad e iron\u00eda, sobriedad y buen humor, parquedad frente a barroquismos y extensas narraciones. Literato \u201ccontra\u201d los literatos: sus personajes, con frecuencia, encarnan hombres de letras sin letras, sin producci\u00f3n, gente que se prepara \u2014y permanece en ese estado\u2014 para su gran obra jam\u00e1s escrita, definibles por una sola e ir\u00f3nica anti-nota: Fecundidad. La iron\u00eda corre por igual sobre otros profesionales pretensiosos y vanidosos, como los psic\u00f3logos, fil\u00f3sofos y pol\u00edticos.
\nBrevedad fruct\u00edfera, como en El dinosaurio (y la misma Fecundidad). Y, sobre todo, plenitud de paradojas de la vida ordinaria, iron\u00eda de los lugares y frases comunes con un delicioso y fino sentido del humor. No faltan, sin embargo, ciertos t\u00f3picos anticlericales y alguno que otro cuento con personajes subidos de tono: si se toman en cuenta estos aspectos, la riqueza literaria y la sabidur\u00eda destilada en los distintos cuentos y, especialmente, en las f\u00e1bulas de este literato, exiliado en nuestro pa\u00eds desde 1944, producen un enorme gozo en el lector \u00e1vido de calidad y frescura.
\nCon un buen n\u00famero de premios literarios (Xavier Villaurrutia, 1975; Juan Rulfo, 1996; entre otros), Monterroso ha sido homenajeado en su original Guatemala (aunque naci\u00f3 en Tegucigalpa en 1921) con un doctorado Honoris Causa por la Universidad de San Carlos (1996): fue entonces cuando, por fin, \u201cnuestro\u201d guatemalteco pudo volver f\u00edsicamente a su patria.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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