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Patagonia Express<\/span>
\nLuis Sep\u00falveda<\/span>
\nNovela<\/span>
\nTusquets. M\u00e9xico, 1996, 178 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Sep\u00falveda vuelve a las andanzas, ahora con un libro de memorias (\u00bfreales o inventadas?) de su infancia, su primera juventud y sus diversos \u201ctraslados\u201d, desde el punto m\u00e1s meridional de Am\u00e9rica hasta Europa septentrional. Para este largo periplo, Sep\u00falveda emplea todos los medios de transporte imaginables; y conserva una unidad de estilo: el relato corto, la an\u00e9cdota curiosa sazonada con la inconfundible jerga latinoamericana.
\nUna vez m\u00e1s, el tema de Sep\u00falveda es el retorno. Si en el Nombre de torero la forma era la de un gran relato ficticio, escrito en tercera persona y con tono de novela negra, ahora se convierte en una colecci\u00f3n de flashazos breves, personales, y escritos con un inconfundible dejo de melancol\u00eda. Si la vuelta de Belmonte y Galinsky (los protagonistas del Nombre de torero) simboliza la vuelta a ning\u00fan lado, de gente que no va a ning\u00fan lado, el destino del largo viaje de Sep\u00falveda tiene un nombre concreto: Martos, el origen, la cuna de los antepasados. La unidad del libro procede de una an\u00e9cdota inicial; en la infancia, Luis promete al viejo Gerardo, su abuelo, volver un d\u00eda a Martos, el pueblo andaluz del que \u00e9ste hab\u00eda huido hac\u00eda mucho tiempo, a causa de sus ideales libertarios. Es esta libertad (moverse, viajar, estar continuamente offside, en pol\u00edtica y otras cosas) el motor de toda la aventura; pero aun en ella hay lazos profundos: v\u00ednculos a la palabra dada, a la sangre, a la tierra.
\nSep\u00falveda emplea un estilo sobrio, que atiende finamente a los detalles; algunos de sus relatos est\u00e1n magn\u00edficamente logrados (el viaje en aeroplano, la visita a la pampa infinita, la historia del reloj que apunta la hora revolucionaria, son algunos de ellos). S\u00f3lo habr\u00eda que se\u00f1alar que la pasi\u00f3n por la libertad que proclama el texto tiene algunas manifestaciones que (para la vista de alguno) podr\u00edan resultar curiosas: propias sin duda del anarquismo light que rezuma el texto.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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