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Victoria<\/span>
\nJoseph Conrad<\/span>
\nNovela<\/span>
\nAlfaguara. Madrid. 1995, 372 p\u00e1gs.<\/span>\n

<\/div>\n

\u201cHijo de un padre c\u00ednico y desencantado, Axel Heyst negocia con carb\u00f3n en una remota isla malaya. Cuando fracasa decide alejarse de la humanidad. Pero los personajes de Conrad \u2014uno de los novelistas mayores de nuestro siglo\u2014 tienden a la nobleza, y Heyst pone todo su cinismo en peligro por ayudar a una muchacha en apuros. El volc\u00e1n que preside el archipi\u00e9lago pone su nota terrible en el drama final\u201d. Hasta aqu\u00ed parte del desafortunado texto de la contraportada del libro que nos ocupa. Efectivamente, una mirada superficial a la trama de Victoria, nos har\u00eda suponer que estamos frente a una novela m\u00e1s de aventuras ex\u00f3ticas y personajes sentimentaloides. Nada m\u00e1s alejado de la verdad, a lo largo del texto encontramos un complejo y apasionante retrato de la naturaleza humana seg\u00fan Teodor J\u00f3zef Konrad Nalecz Korzeniowski, nacido en la Ucrania polaca en 1857, ciudadano brit\u00e1nico en 1886 con el nombre de Joseph Conrad, y fallecido en 1924.
\nA trav\u00e9s de los protagonistas, trazados con vigor y maestr\u00eda, Conrad nos sumerge en el fragor interno de almas sin esperanza, fatalmente condenadas a la esclavitud de sus pasiones. El cuadro sicol\u00f3gico que se dibuja es complejo y oscuro, no as\u00ed el ritmo de la narraci\u00f3n que nos conduce r\u00e1pidamente a un final tr\u00e1gico e inesperado. En lenguaje cinematogr\u00e1fico, Conrad nos mantiene al filo de la butaca a trav\u00e9s de los hechos, y en constante aprehensi\u00f3n al recorrer los oscuros laberintos mentales que los suscitan.
\nA semejanza del \u201cRoseblum\u201d que atesora todos los secretos del Ciudadano Kane, la expresi\u00f3n \u201c\u00a1Nada!\u201d que pone fin a este obra, contiene todo el sentido de la novela. Heyst, Lena, Mr. Jones, Ricardo, Pedro y Wang, encarnan la extensa gama de incertidumbre, desconsuelo y extrav\u00edo que suele acompa\u00f1ar a quienes viven la vida sin asidero trascendente, conform\u00e1ndose con asumir la existencia como una molesta sucesi\u00f3n de acontecimientos determinados por un destino ineludible. No hay ambiciones nobles ni valores que gu\u00eden la conducta aunque subsiste un atisbo de anhelo por hallar explicaciones concretas en lo cotidiano. Labor imposible y lastimera cuando se descubre que el mal y el bien libran una lucha desigual en la que normalmente domina el primero, porque el segundo exige hero\u00edsmo.
\nLa lectura de Victoria admite dos alternativas. La primera, como simple novela de aventuras y la segunda como un intento serio por analizar en cada personaje las paradojas propias del existencialismo. Ambas tan bien logradas, que seguramente dejar\u00e1n complacido al lector.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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