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Territorio comanche<\/span>
\nArturo P\u00e9rez-Reverte<\/span>
\nNarrativa<\/span>
\nSeix Barral. M\u00e9xico. 1994, 141 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

La guerra, cualquiera que sea, es el hilo conductor de este libro. El d\u00f3nde, el porqu\u00e9 y el qui\u00e9n son solo un pretexto para que P\u00e9rez-Reverte nos cuente no una sino varias an\u00e9cdotas en el campo de batalla. La visi\u00f3n del libro no es la del soldado resentido ni la del pol\u00edtico apolillado, es, simplemente, el ir y venir de una vocaci\u00f3n: corresponsal de guerra. M\u00e1rquez \uf0been representaci\u00f3n del g\u00e9nero\uf0be est\u00e1 enamorado de la guerra y no podr\u00eda vivir sin ella.
\nEl relato \uf0becomo el autor subtitula su libro\uf0be, nos presenta hechos, hechos y m\u00e1s hechos, llenos de precisi\u00f3n y humor, caracter\u00edsticas que solo puede encontrar en la guerra quien la ha vivido en carne propia. Son los recuerdos de dos compa\u00f1eros que han pisado tantos muertos como pa\u00edses en conflicto. Las im\u00e1genes se repiten, y entre m\u00e1s crudas son para el lector, m\u00e1s indiferentes para los protagonistas, para quienes su mayor preocupaci\u00f3n es que la noticia se cubra a tiempo. En medio de bombas y muertos, lo primero es llegar a tiempo para la transmisi\u00f3n del noticiero. El autor no escribe un alegato sobre la burocracia pol\u00edtica e informativa, pero s\u00ed reclama su inutilidad y ego\u00edsmo: Es el caso de los corresponsales que desean salir al aire, mientras que, para otros, \u201csalir en las fotos\u201d significa estar muerto. El autor no clama al cielo por la injusticia de la guerra, pero s\u00ed muestra lo est\u00fapidamente cruel que puede ser. P\u00e9rez-Reverte, simplemente, narra su vida y la de sus compa\u00f1eros, con un whisky en la mano derecha y un cigarrillo en la izquierda, entre risas y l\u00e1grimas.
\nEl contenido de las an\u00e9cdotas es tan vivo como el modo de relatarse. Podemos reconocer en ellas conflictos vistos en la televisi\u00f3n y reportajes discutidos en pl\u00e1tica de sobremesa. Los recuerdos se suceden uno tras otro: el pueblo destruido, el colega despedazado a 10 minutos de arribar, o el otro que ha sobrevivido a todo y a todos. En Territorio comanche, el periodista arriesga su vida por una buena toma y por una historia que la acompa\u00f1e.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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