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Cuentos del Barrio del Refugio<\/span>
\nJos\u00e9 Mar\u00eda Merino<\/span>
\nCuentos<\/span>
\nAlfaguara. 1994, 260 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Jos\u00e9 Mar\u00eda Merino, figura indiscutible de la narrativa espa\u00f1ola actual, nos muestra en este libro c\u00f3mo el cuento puede ser un g\u00e9nero mayor y de gran manufactura. No podr\u00edamos calificar de cuento fant\u00e1stico las narraciones de Merino solo porque las encontramos demasiado cercanas: las calles, las gentes, las preocupaciones y las ocupaciones. Sin embargo, junto a un traductor que se enfrenta a la computadora existe una historia de suspenso; a la familia com\u00fan la acompa\u00f1a el espectro del padre muerto; junto a m\u00ed est\u00e1 otro yo intentando suplantarme, y la amante es en realidad un muerto viviente. Acude as\u00ed el autor a temas recurrentes de la literatura fant\u00e1stica, pero inspirado en su barrio y en su \u00e9poca.
\nAs\u00ed como los cuentos de Merino nos llevan de lo real a lo fant\u00e1stico, de lo sobrenatural nos regresan a la experiencia sencilla que raya en lo vulgar por imperceptible: el maestro Souto, uno de los protagonistas, construye su destino inspirado en marcas \uf0bepara \u00e9l signos\uf0be de tomas de agua en las estaciones del metro\u2026 El elemento misterioso muestra la rebeli\u00f3n del inconsciente, lo alejado de nuestra atenci\u00f3n racional y lo olvidado.
\nElegante y ameno, Cuentos del Barrio del Refugio nos deja salir un poco de nuestro mundo, pero sin separar los pies del suelo. Hay demasiada irracionalidad aqu\u00ed para buscarla en otro lado.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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