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Nombre de torero<\/span>
\nLuis Sep\u00falveda<\/span>
\nNovela<\/span>
\nTusquets. Barcelona. 1994, 223 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Sep\u00falveda (Un viejo que le\u00eda novelas de amor; Mundo del fin del mundo) incursiona en la novela negra. La obra es un relato de aventuras en la que Juan Belmonte (el del \u201cnombre de torero\u201d), antiguo guerrillero chileno, se enfrenta en fren\u00e9tica carrera a Frank Galinsky, ex-oficial de la RDA y desempleado despu\u00e9s de caer el Muro. Contratados por un alto personaje de la nueva Alemania, buscar\u00e1n recuperar un tesoro perdido durante la segunda guerra. Pero ellos tienen sus propias motivaciones. As\u00ed, ignorando al principio su mutua existencia, los cazadores de tesoros tratar\u00e1n de capturar al enigm\u00e1tico Hans Hillerman, desertor alem\u00e1n que oculta el tesoro y ha escapado a Tierra del Fuego.
\nEl final es bastante convencional: el tesoro va a parar con los \u201cbuenos\u201d, y la obra termina como la cl\u00e1sica historia de amor.
\nToda la novela es una oda al regreso: Galinsky y Belmonte est\u00e1n de vuelta del socialismo, por el que han peleado en su juventud y les ha convertido en un desecho social. Belmonte vuelve a su Chile natal a recuperar lo perdido. Galinsky trata de recuperar a su familia. El asegurador suizo trata de devolver la colecci\u00f3n robada. Hillerman y Helm viven prisioneros por el pasado\u2026
\nLa narraci\u00f3n tiene sus partes s\u00f3rdidas: una especie de hiperrealismo na\u00eff la permea de principio a fin y hay una cierta crudeza en la descripci\u00f3n de los bajos fondos alemanes. El retrato psicol\u00f3gico de los personajes, basado en unos pocos trazos, es m\u00e1s que suficiente. Todo el desarrollo narrativo est\u00e1 muy logrado. La novela est\u00e1 bien construida y constituye un buen ejemplo de relato convergente.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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