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Por qu\u00e9 leer los cl\u00e1sicos<\/span>
\nItalo Calvino<\/span>
\nNarrativa<\/span>
\nTusquets. M\u00e9xico. 1993, 280 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Redescubierto en M\u00e9xico (en junio se instaur\u00f3 en la UNAM la c\u00e1tedra Italo Calvino para difundir la lengua y cultura italianas), el escritor vive hoy, a diez a\u00f1os de su muerte, un s\u00fabito ascenso en castellano. Calvino inunda nuestro mercado.
\nPor qu\u00e9 leer los cl\u00e1sicos es una recopilaci\u00f3n de textos publicados anteriormente en varias revistas literarias. Calvino rehizo varias veces la selecci\u00f3n y en la versi\u00f3n definitiva incluy\u00f3 el ensayo que da t\u00edtulo al libro. Lo que tenemos entre manos es, pues, una especie de recuento de autores y t\u00edtulos que influyeron en este narrador italiano.
\nCalvino milit\u00f3 durante muchos a\u00f1os en el Partido Comunista Italiano y la impronta de esa formaci\u00f3n resalta sobre todo en los ensayos m\u00e1s antiguos. Este esp\u00edritu permea algunos escritos aunque, con el paso de los a\u00f1os, distingue mejor la cr\u00edtica literaria de la pol\u00edtica.
\nEl t\u00edtulo es enga\u00f1oso. De hecho, Calvino teoriza sobre los cl\u00e1sicos s\u00f3lo en el primer cap\u00edtulo. Despu\u00e9s rese\u00f1a m\u00e1s de treinta obras m\u00e1s o menos cl\u00e1sicas. Uno tiene que conformarse con el europe\u00edsmo de la selecci\u00f3n de Calvino, que como toda selecci\u00f3n, tiene pros y contras. As\u00ed, junto a aut\u00e9nticos descubrimientos sobre cl\u00e1sicos indiscutibles (como la Odisea, la An\u00e1basis, el Orlando furioso o Robinson Crusoe) hay obras menores de autores europeos m\u00e1s bien marginales, o al menos bastante desconocidos en nuestras latitudes. Incluso existe la grata sorpresa de encontrarse a Borges entre sus preferencias. En conjunto, la evaluaci\u00f3n del libro es favorable. Uno aprende y se divierte.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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