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El Kalevala<\/span>
\nElias L\u00f6nnrot<\/span>
\nNarrativa<\/span>
\nAlianza. Madrid. 1992, 632 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

En 1853, Elias L\u00f6nnrot (1802-1884), doctor en Filosof\u00eda y Letras, investigador del folklore popular, ocup\u00f3 la c\u00e1tedra de Lengua y Literatura Finlandesa en la Universidad de Helsinki. Dedic\u00f3 muchos a\u00f1os de su vida a recopilar los cantos populares transmitidos oralmente a lo largo de los siglos, despu\u00e9s de acudir a las fuentes m\u00e1s aut\u00e9nticas, y los agrup\u00f3 como epopeya nacional de su pa\u00eds. La versi\u00f3n definitiva, que ahora se ofrece en castellano magn\u00edficamente preparada, apareci\u00f3 en 1849, con abundantes modificaciones y con el t\u00edtulo de El Kalevala.
\nL\u00f6nnrot fue muy respetuoso con la tradici\u00f3n popular: su tarea consisti\u00f3 en escoger y ordenar leyendas y baladas, sin retocar la mayor\u00eda de los versos, y en a\u00f1adir s\u00f3lo lo indispensable para hilvanar la epopeya en los cincuenta cantos de que consta.
\nEn las acciones de los protagonistas aparecen muchas referencias a la vida cotidiana: festejos, tareas agr\u00edcolas, costumbres, adem\u00e1s de consejos llenos de sensatez. Esta uni\u00f3n de lo \u00e9pico con lo trivial hace especialmente amables y cercanos a los h\u00e9roes del canto. La naturaleza es otro elemento important\u00edsimo: unas veces aliada y otras enemiga, descrita <197>con bell\u00edsimas im\u00e1genes<197> como si se tratara de un personaje m\u00e1s, que interviene y toma partido.
\nA lo largo de la epopeya subyacen m\u00faltiples influencias, desde los or\u00edgenes paganos hasta las huellas m\u00e1s recientes del cristianismo. Son elementos constantemente presentes la b\u00fasqueda de la felicidad, de un para\u00edso, y el elogio del valor y del esfuerzo para alcanzar esa meta. El Kalevala es un canto a la vida, expresado con sorprendente frescura y belleza.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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